|System | This Month | Last Month | Last Year | YTD | Last YTD | LTD | If I had a dollar for everytime I read that Avatar2 was going to tank because "no one I know is interesting in watching it" I'd be filthy rich.Ġ1./02. That's not exactly kid-related products.Īnedoctal evidence is good and all, but raw numbers are just better. IIRC, one of the big (and lolworthy) headlines back in 2020 was that 50 million cans of coffee had been sold during a DS collab for it. Some were indeed aimed at kids, but a lot of them were, well, not. I.e., you can pretty accurately reflect a film's audience just by knowing ticket prices and weekly patterns (a children film like doraemon or, well, yokai watch would generally hover around ~1100 yen average ticket price as they have a lot of discounted tickets and low premium screens attendance and have weak weekdays into strong weekend jumps, but DS was very balanced on both fronts, starting out at 1350 atp which went up throughout its run and posting extremely strong weekdays, both sign of 4-quad film which is pulling families and adults alike, not just families).īut also just in general, look at the collabs that DS had. Its film couldn't even cross 10b because once it exhausted the kid demo it had nothing else. I mean, even discounting the fact that you don't get to break records across basically every media without appealing to all demos, which is why YW, as big as it was, wasn't actually record breaking other than toys/merch. Fwiw, you can counter the distribution skew and provide simple empirical evidence of DS being a 4-quad IP as well just by looking at things we *know*.
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